<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: George A Romero</title>
	<atom:link href="http://www.blacklagoon.info/movies/black-lagoon-heroes/george-a-romero/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.blacklagoon.info/movies/black-lagoon-heroes/george-a-romero/</link>
	<description>Weird movies for sane people</description>
	<lastBuildDate>Thu, 19 Aug 2010 14:40:57 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
	<item>
		<title>By: Paul J. Marasa</title>
		<link>http://www.blacklagoon.info/movies/black-lagoon-heroes/george-a-romero/comment-page-1/#comment-18</link>
		<dc:creator>Paul J. Marasa</dc:creator>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.blacklagoon.info/?p=33#comment-18</guid>
		<description>Matt, I responded to your comment on my blog; I just wanted to leave a note on yours to underline your pick of &lt;I&gt;Night of the Living Dead&lt;/I&gt; as the key film.  &lt;I&gt;Dawn&lt;/I&gt; is more complex, but there is a purity to &lt;I&gt;Night of ...&lt;/I&gt; that is hard to match.  It&#039;s the low-budget-first-film syndrome that seems to fit horror particularly well; consider &lt;I&gt;The Evil Dead&lt;/I&gt;, &lt;I&gt;Carnival of Souls&lt;/I&gt;, and even &lt;I&gt;The Blair Witch Project&lt;/I&gt;.  &lt;BR/&gt;&lt;BR/&gt;When I watch these films, I&#039;m reminded of something Roger Ebert said about pre-CGI special effects: that with CGI you see the monster, but with old-style FX you see the filmmakers&#039; imaginations at work--and let me add that if those filmmakers are as blissfully twisted as Romero--and even Mr. Big Shot, Sam Rami--then the results are delirious, unfiltered mesages from their creepy little Ids.  Which is, of course, a good thing.</description>
		<content:encoded><![CDATA[<p>Matt, I responded to your comment on my blog; I just wanted to leave a note on yours to underline your pick of <i>Night of the Living Dead</i> as the key film.  <i>Dawn</i> is more complex, but there is a purity to <i>Night of &#8230;</i> that is hard to match.  It&#8217;s the low-budget-first-film syndrome that seems to fit horror particularly well; consider <i>The Evil Dead</i>, <i>Carnival of Souls</i>, and even <i>The Blair Witch Project</i>.  </p>
<p>When I watch these films, I&#8217;m reminded of something Roger Ebert said about pre-CGI special effects: that with CGI you see the monster, but with old-style FX you see the filmmakers&#8217; imaginations at work&#8211;and let me add that if those filmmakers are as blissfully twisted as Romero&#8211;and even Mr. Big Shot, Sam Rami&#8211;then the results are delirious, unfiltered mesages from their creepy little Ids.  Which is, of course, a good thing.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

