Audition (1999)

It’s not particularly surprising that the current bandwagon for US remakes of Japanese horror films hasn’t yet reached the work of director Miike Takashi, and in particularly his most notorious movie, Audition. Whilst it’s probably true to say that anything American cinema can do, Asian cinema can do in a way that’s altogether more psychologically upsetting, most people probably won’t be prepared for the astonishing brutality of the film’s final reel, which is almost unparalleled in its impact on the viewer. Whilst there have been much gorier films, there can be few that lull their audience into such a false sense of security - almost boredom - before assualting them with horrendous imagery. Read more

Godzilla (aka Gojira) (1954)

It’s a testament to how much of a bad rap the film Godzilla has received over the years that any discussion of the movie always has to start with a clarification of which film you’re talking about. No, it’s not the 1998 abomination with Matthew Broderick; no, it’s not the re-edit with Raymond Burr and a bunch of dubbed Japanese actors; and it’s not even any of the sequels you maybe dimly remember being showed on TV during the holidays. It’s the very first Godzilla film, made in 1954, released in Japan under the title of Gojira, and it’s a masterpiece. Read more

Junk (1999)

The rise of the J-horror industry earlier this century was a natural reaction to the stagnation of progressive stagnation of Western horror over the course of the 1990s. But an unavoidable consequence of the rush to ransack Asia’s cinematic riches is the lionisation of films that simply don’t deserve the scrutiny. Atsushi Muroga’s 1999 effort, Junk, is one of the most widely available Japanese zombie movies in Britain; but those searching for something more taxing than the Resident Evil movies will be disappointed by not only how bad it is, but also by how little it has in common with its fellow countrymen. Read more

Ring (aka Ringu) (1999)

Hideo Nakata’s astonishing adaption of Koji Suzuki’s best-selling novel was for many people their first (and possibly only) brush with the murky world of Asian horror. The film’s global success, and the various franchises it has spawned, was something of a watershed for international cinema; it almost single-handedly spearheaded the Japanese invasion that has dominated Western horror, both for the American studios looking for the latest hot property to remake and for cinema-goers tantalised by the promise of what has been dubbed ‘Asia Extreme’. Read more

The Grudge (2003)

The international success of Hideo Nakata’s Ring led to a frenzied search - both in Hollywood and in Asia - to find the next international “J-horror” (as it’s doomed to be known) success. The unlikely candidate appears to have been the Ju-On series, aka The Grudge, which already exists in five screen versions already - two Japanese TV movies, two Japanese feature films and an American remake, with an American remake sequel on the way. Having only seen the first Japanese movie, I can’t really offer any comparison as to what’s the best, but on this evidence alone I can’t really say that the whole Grudge industry fills me with much enthusiasm. The recent US remake, starring Sarah Michelle Gellar, was extensively (and rather cynically) promoted as being the “next Ring”, even down to the spooky girl with long dark hair on the posters, and the UK DVD release of the first Japanese film has a rather odd quote from The Metro on the back, claiming the film “scares the socks of The Ring”, which I can only assume is a typo. Hell, you can even buy the Japanese DVD in Woolworths - even Ring didn’t get that treatment, so someone’s obviously banking on making a lot of money out of this series. Read more

The Ring Two (2005)

Whichever way you look at it, it’s hard not to view The Ring Two as being a crushing disappointment. This follow-up to the US remake of the Japanese classic (you may need to draw a diagram to follow that) was passed over by several directors until it ended up in the hands of Hideo Nakata, the Japanese director who brought us the original Ring. Considering that the US film itself wasn’t too shabby, you could be forgiven for getting excited by this; unfortunately, The Ring Two is almost guaranteed to shake your faith in both the versatility of the original concept and in Nakata’s abilities as a director. Read more

The Spiral (aka Rasen) (1998)

The Spiral’s reputation seems to rest more on the film’s status - or lack of - than anything to do with the movie itself. Based on the second of Koji Suzuki’s Ring novels, Joji Iida shot the film almost back to back with Hideo Nakata’s peerless adaption of the first novel, and the results were released in Japanese cinemas simultaneously. But whereas Ring sparked what can only be described as an international phenomenon, The Spiral bombed, and was later overwritten by Nakata’s own Ring 2. Effectively exiled from the Ring saga - in cinema terms at least - the film has only recently been made available on DVD in the West,but remains relatively unknown. Read more

Uzumaki (2000)

It’s probably fair to say that Uzumaki is one cult Japanese horror movie that’s not going to be remade by Hollywood any time soon. If anything, the film is a fair benchmark of how different Western and Eastern cinema cultures really are: despite being probably the most wilfully odd movie I’ve ever seen, it was a sizeable mainstream hit in Japan, suggesting that the Japanese cinema-going public are more than open to material this extreme. Read more